All Studio Stories

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Pele Kruse

Leading Women in Architecture Society: Pele Kruse ‘26 B.Arch

Pele Kruse, Class of 2026, is earning her Bachelor of Architecture as the first Samoan student in the program. Passionate about sustainable, community-focused design, she’s dedicated to uplifting underrepresented communities through architecture. As president of the Women in Architecture Society and a standout in studio projects, Pele is preparing to return home and help shape the future of architecture in American Samoa.

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Clare and Kelly

Clare Robinson and Kelly Eitzen Smith honored with 2025 Darryl B. Dobras Awards

Clare Robinson and Kelly Eitzen Smith are the 2025 recipients of the Darryl B. Dobras Awards for Excellence. Robinson was recognized for her leadership in the School of Architecture, while Eitzen Smith was honored for her work supporting accreditation and assessment in the School of Landscape Architecture and Planning.

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Ash Avila

MSUP Student Ash Avila Awarded Dwight D. Eisenhower Transportation Fellowship

MSUP student Ash Avila received the prestigious Dwight D. Eisenhower Transportation Fellowship, allowing her to explore the urban planning and transportation field, with a focus on climate and urban issues. Her long-term plan involves working on city government initiatives and pursuing a Ph.D. in the field.

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Laura Carr

Office of the Provost Grants Senior Lecturer Laura Carr $200,000 for Native People's Design Coalition

Laura Carr, a Senior Lecturer in Architecture at the College of Architecture, Planning & Landscape Architecture, is part of a team that secured a $200,000 grant for the Native People's Design Coalition. This grant will support their efforts in collaborating with tribal communities to plan and design sustainable and resilient built environments.

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Mount Hood at dusk, viewed from a distance

Lecture Recap and Video: Mark Eischeid on 'Visuality and the Sublime: Three Views of Mt. Hood'

In this CAPLA Lecture Series lecture, Mark Eischeid explores three types of views—framed, unframed, and aligned, in Eclecticist, Modernist, and Postmodernist landscapes, respectively. Each of these types of views illustrate tradition-specific approaches to visuality and engagement with the sublime.

  

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