The architecture of Tucson's Museum of the All Souls Procession serves as a daily reminder of multicultural strength, bridging past and future. The museum's design embodies the procession, uniting history and modernity with weathered steel and wood, mirroring the cyclical renewal of tradition.

The architecture of The Temporal Passage responds to the site's volcanic conditions by being conceptually rooted in scale, time and the moving materials of our living earth in an attempt to convey the magnitude of these natural forces. It further explores the spatial and conceptual juxtapositions between the human-operated straight line and the ensured chaos of nature.

“For thousands of years, the beauty of the Sonoran Desert has invoked wonder among its human inhabitants,” says Hunter Lohse when introducing the Sonoran Soundscape project that he and fellow MLA students Alizabeth Potucek and Christian Galindo created with Assistant Music Professor Yuanyuan (Kay) Le for the UArizona Wonder House at South by Southwest in March.

The Apelido Theatre Company in the historic mining town of Bisbee, Arizona, is inspired by Brazil, where practitioners of Capoeira use their bodies to create artistic performances in displays of martial prowess, and from the lessons of historic designers whose work brought forth fresh ideas about performance, dwelling and presence.

The Agricultural Center at Mochik Ranch is predicated upon the concept of interdependence, which is a central tenet of Yoeme spirituality and culture. The project goal was to use architecture to facilitate agricultural production and cultural ownership through an interdependent deployment of climactic forces and culturally significant building materials.

Maggie Collopy's Root Down is a mixed-used building that accommodates institutional, educational, commercial and public uses. Located in the multicultural heart of Tucson, the project serves as a beacon for public integration and educational exposition, and an example of how buildings can be sustainable.

Kathy Le's Housing Project for Domestic Violence Survivors is a community designed for women and children victims of domestic violence. Le's main goals were to address and resolve issues with security, comfort and community, seeking not just to provide shelter but also to provide nurturing.

Professor Jonathan Bean and the Solar Decathlon Design Challenge Multifamily Building team of fourth-year B.Arch students Andrew Norris, Jonah Cummins-Mikkalson, Alex Kolodziej and Nhan Vo not only took first place in their division, but also was selected as the 2022 Design Challenge Grand Winner for Commercial Divisions—a first for CAPLA and UArizona.

The new U.S. embassy and consulate built in 1983 in Lisbon, Portugal was a high-security office building for the ambassador, political, military and economic departments, as well as other, more secretive functions. The site was a pastoral 12-acre location of a historic 17th-century former monastery and estate on the outskirts of the city.

Plan the Plan aims to apply crowd-source technology to foster greater inclusion and social justice in the City of Tucson’s neighborhood planning process. CALPLA faculty and students applied this platform to seven neighborhoods in the Grant-Alvernon area of Tucson, Arizona.

The Camp Naco story map tells the story of the still-standing adobe Buffalo Soldier cavalry camp and its meaning both to the descendants of these soldiers and to African American members of the military and their families.

Architecture lecturer Bill Mackey investigates the development regulations, costs and trends within the metropolitan Tucson region associated with “innovative” housing types on individual lots for a Drachman Institute project funded by AARP.